Friday, January 22, 2016

What's Wrong with Female "Chosen Ones"? A Lot, Apparently.

Having recently re-read through some young adult fiction and finished Marissa Meyer's latest and final installment in the Lunar Chronicles, I was struck by a troubling realization. I realized that one of the things I had disliked about Winter (a book that I liked, overall), and most of the quartet of books, was the abortive attempts of the heroine to actively engage in fighting the enemy because she is consistently burdened by feelings of guilt about the people who are sacrificing themselves for her sake.

In fact, in general, I am appalled at how often female main characters, especially "chosen ones," become crippled by their emotions in the middle of crucial situations. Most common is survivor's guilt. A close second is flat out despair. Almost always it will overwhelm her, whereas her male counterpart deals with the guilt in some active and useful way (note, I did NOT say "healthy" way).

I'm sure that this sense of survivor's guilt is entirely realistic. Having recently read back over other examples of war fiction, like Tim O'Brien's "The Things They Carried," I found the concept of survivor's guilt in a war situation a fairly straightforward and accurate psychological burden. Most "savior" or "chosen one" characters in settings that involve an ongoing war experience survivor's guilt. But what seemed a bit strange to me was how much more writers seem to emphasize survivor's guilt in stories with female protagonists and how they portray this guilt as crippling, versus how guilt is dealt with in stories with male protagonists.

For example, in the Harry Potter series, Harry is portrayed as fairly sensitive to survivor's guilt. In some ways it drives him to make the final sacrifices that he does toward the end of the series. (Sort of a "no one else must die for me.") But Harry rarely seems to be crippled by this guilt; it keeps him going forward. There is an understanding in the HP series that casualties are an inevitable and terrible cost of war. We all sobbed with Harry over the deaths of Sirius, Fred, Dobby, and even Snape (RIP Alan Rickman). But these casualties strengthened the heroes' resolve to see it through to the end. The love they felt for their friends, and the grief they endured, became a source of emotional endurance.

In the WOT series, Rand also has tremendous guilt, especially over all of the women who died for him (thanks, Rand), and obsessively remembers their names. But he channels this guilt (pun intended) into anger and revenge for them. Not healthy, for sure, but at least he's doing something.

Contrast this with what happens to Cinder in The Lunar Chronicles. Cinder discovers that she's the long lost moon princess, Selene (hello, Marissa, this is Naoko Takeuchi calling, and she wants her story back! JK). The rest of the series is about her attempt to overthrow her evil aunt, the current monarch of the moon. Along the way several sympathetic characters die or are severely wounded helping Cinder, and we spend pages on Cinder's anguish over these sacrifices for her sake. It's very understandable for her to feel this guilt, but what isn't proper is for it to disable her from positive action. Cinder berates herself at every turn; she isn't worth other people's sacrifices. In the middle of battle, when people are dying around her, she stands helpless (a cyborg with magical telepathy, mind you) because she can't deal with the guilt. And I have to ask myself: Why is Cinder crippled by survivor's guilt and feelings of extreme unworthiness, when, in a similar situation, Harry Potter, Rand, and Neo just switch into terminator mode?

Granted, it's only Cinder who thinks herself unworthy; that's not necessarily what the audience thinks. But it's still pretty damaging to be obliged to follow a protagonist who just shuts down because she can't get over the terrible guilt of others dying for her sake during a war.

I am tempted to think that this is a similar theme in The Hunger Games series, but it's been a while since I last read those books. I know that Katniss eventually becomes unable to deal with everything that has happened to her, and I think this is an attempt on Collins' part to realistically portray PTSD. That makes sense to me. But it also makes me wonder why I'm not finding such a realistic portrayal of a male in fantasy and dystopian fiction. Rand comes close sometimes, but then, he's Rand. Maybe I just haven't read enough.

Are heroines in fictional war stories more emotionally fragile than their male counterparts? Are they fundamentally unable to deal with the casualties and grief of war? Or is there an underlying cultural belief lurking in the murky corners of these stories that would embarrass us if we brought it into the light? Namely that women aren't really worthy or capable military leaders, possibly because of their emotions, but also possibly just because they're women.

 Sometimes the way these characters berate themselves seems ludicrously apologetic. As if the heroines are saying: "I know that I'm not worth dying for. In fact, I and my cause are so unworthy that I will be rendered completely useless by the entirely appropriate guilt and anguish I feel at your willing sacrifices. Your deaths are my fault." Logically, we know that Cinder can't be faulted for Dr. Darnel's death or for Wolf's continued torture. These were adults who willingly and knowingly put themselves in extreme danger for a cause they believed in that happened to include her. But all we get out of Cinder is a lot of self-hate. And that's not good or helpful. In fact, it implies that women, or at least, Cinder, is more responsible or culpable for the well-being of others than any normal (male) human being could be. Again, Rand could be a male model here, but he's also crazy. And he feels guilty about women...which... I just can't.

When Harry blames himself for Sirius' death, there is at least a more specific reason for this than his simply being the chosen one. It is possible to realize that, in some ways, it is Harry's fault. This is part of Harry growing up. And he deals with this guilt actively, channeling it into anger. It's not the best response, but it is active, not passive. Harry doesn't sit in his room for months and then go cliff diving.

Perhaps the Divergent series is different? I'm not sure. I haven't read it. I will say that I think Sabriel and Lirael of the Abhorsen trilolgy seem to suffer from this problem a little less, and also older fantasy like Robin McKinley. Perhaps Robert Jordan can pass because he's purposefully setting his books in patriarchal worlds...I guess. I'm sure there must be others. Maybe some one can point me in the right direction?


Sunday, January 10, 2016

Those Pesky Unanswered Questions

It's a new year, and I've resolved to turn over a new leaf by becoming a more responsible blogger. In other words, I'm going to start blogging more regularly (and responding more regularly) to your comments. I started this blog because I needed an outlet for my thoughts on OUAT and other things, but since the Timeline (which was a group effort) and the MBTI post have been modestly popular, I want to make an effort to write about things that interest others too. (Isn't that unselfish of me?)

Today I'm focusing on the unanswered questions of the show. Those pesky little questions, some of them with us since the first season. Some of these questions arise from the events of the show itself, while others only really jump out at you when you start trying to put everything together (like the Timeline).

So here we go. And of course if you have theories, answers, or other questions I haven't covered here, please comment!

Let's begin!


Wednesday, November 4, 2015

What Makes a Hero Brave? A Review of Once Upon a Time's "The Bear and the Bow" (5x06 OUAT)

I've been reading a lot of criticism of Once Upon a Time's season 5 episode 6 "The Bear and the Bow," and I wanted to take a deeper look into what happened in that episode that has fans so riled up and confused. So here's a quick recap, and then a review/analysis of what OUAT seems to be doing with this tricky episode.


Monday, November 2, 2015

Season Five: Analyzing Where the Characters Have Been and Where They Still Need to Go

                                                               
So since we're at the start of a new season, one that seems to promise quite a bit of excitement as well as some long needed character development, I want to take a moment to muse about the the development of the main trio over the past four seasons, as well as a brief look at the rest of the cast, and point out where I think their characters still need development.

Emma Swan and Regina Mills: Parallels

 -- Let's start with Emma Swan, the Dark Swan/Dark One herself, and her counterpart in the show: Regina, the Evil Queen, now New Savior. Emma began Season 1 as the hoped for Savior, and we learned exactly how she'd been "created" that way by none other than Rumpelstiltskin, who also, as we soon found out in Seasons 2 and 3, created her arch-nemesis in Season 1 (and arguably her counterpart in the story) the Evil Queen. In seasons 2 and 3 the show explored how Regina and Emma felt now that they had time to process being forced into these roles, partly by Rumpelstiltskin's manipulations, and partly by their respective parents (who, of course, had their best interests at heart).


Regina: From Evil Queen/Mayor to New Savior:

The end result of this was Regina's redemption arch (which technically spanned three, if not four seasons), turning her from an abusive, manipulative parent (in the vein of her mother Cora), a rapist, a murderer, and someone obsessed with vengeance in Season 1, to a wavering villain -- questioning her loyalties to her mother --  in Season 2, to an anti-hero (not afraid to get her hands dirty) in Season 3A, to the more explicit hero and wielder of light magic in Season 3B, and finally to the woman who could willingly give up everything she loved (at one point or another) without needing revenge and who could now advise Emma and the Charmings as to the right course of action in Season 4 -- someone who actually makes sense as a hero in Isaac's topsy-turvy version of the story. Finally, in Season 5, Regina is in name and probably in spirit the Savior.

Wednesday, March 4, 2015

Rumbelle: What Goes Around Comes Around

It's been a while since I last posted, and I wanted to get in a little analysis of the story so far as the writers of Once Upon a Time have spun it. The story I'm talking about is Rumpelstiltskin/Beauty and the Beast as it appears on Once. So, if you're looking for pirate captains, witches, or dwarves, you won't find them here. Not today anyway.

 I've written before about how Beauty and the Beast parallels, in many ways, the plot and themes of Jane Eyre, which critics long before me have noted, but also how interestingly Once's version sticks surprisingly close to it as well.

So my latest observation, besides noting that Belle did indeed follow the Jane Eyre model by rejecting, painfully, Rumpelstiltskin (though the banishment trope sort of went the other way), is to note that now Rumpelstiltskin and Belle's story has at last come full circle.

At the beginning of their story together, Rumpelstiltskin made a discovery about what he believed were Belle's true motives. Then he banished her. Now Belle has (finally!) made a similar discover (will she prove to be wrong too? I don't think so.) and has banished Rumpelstiltskin. Of course, he didn't stay banished for long, but then, neither did she -- as we discovered in seasons 2 and 3.

What does all of this mean? I don't know. I hesitate to predict, but if the story continues to follow the pattern of Jane Eyre, Belle will possibly be tempted down a different path with a possibly different suitor and Rumpelstiltskin will finally have to come to terms with (witness the destruction of) those old sins and patterns that held him back (in Jane Eyre this is literally symbolized by Bertha, Rochester's first wife; in Once, this is the dagger). Of course, just like Rochester, Rumpelstiltksin was trying to have his cake and eat it too -- before he got caught. He was trying to get rid of the dagger (Bertha), and keep Belle (Jane).

If Rumpelstiltskin is humbled by fate (like Rochester) and loses his power completely, he may have a chance of getting back together with Belle, who will have gone through her own journey at that point. Of course, there is one major difference here: In Jane Eyre, Jane rejects Rochester's love and flees from him, but she never actually rejects him in her heart. Belle, on the other hand, seems to have openly accepted that Rumpelstiltskin was a bad choice for her. I agree with her, but I still wonder if this story is going to keep following its literary predecessor?

My two cents.

Monday, August 4, 2014

What to do while you wait for OUAT to return.

Maybe you've already found enough to keep you occupied until the show returns in late September. But if you're like me, you may not have a lot to occupy your mind between now and then, or maybe you just miss the show. So here's a list of books, films, and television series that might be able to satisfy a wistful Oncer while waiting for the return to Storybrooke, and (cringe) Queen Elsa....(no offense to the Frozen fans).

Recommended Books for Oncers:

1. The Outlaws of Sherwood by Robin McKinnley (see also Rose Daughter and Beauty for Beauty and the Beast retellings). For Robin Hood fans (hoodies?) McKinnley's story is a fun and multi-character approach to the legend that tries to deconstruct the myth to find the ordinary man. If you like female outlaws, some violence, and delicate romance, you'll like this book. A quick and easy read, even if the ending is a bit unrealistic. If you like a bit more history in your historical fiction, try Hood (Stephen R. Lawhead).

2. The Lunar Chronicles - If you're one who doesn't mind sci-fi (or the occasional, ok, blatant Sailor Moon reference) when dealing with fairy tale favorites, you may like this so far three-volume series. The books reuse Cinderella, Little Red Riding Hood, and Rapunzel to tell a connected story of a cyborg who will one day be queen. Each book focuses on a different heroine. I predict Oncers will love Scarlet (the second book) best, especially those who miss Ruby/Red.

3. The Book of Lost Things - John Connolly. For those who enjoyed the creepiness of the second half of season three, this may be the book for you. It includes a lot of fairy tales as you've probably not heard them before, but beware the down-right horror of some of them.

4. Wicked - Gregory MacGuire. If you at all enjoyed Zelena, or you haven't somehow heard of the musical, try this one on for size. Not a terrible adaptation, though a bit bizarrely plotted. The Wicked Witch was never quite so sympathetic until MacGuire got hold of her. (Confessions of an Ugly Step-Sister isn't bad either for those who liked the Red Queen.)

5. The Lookingglass Wars - I haven't read this myself but the series is highly recommended by many as a wonderful Alice adaptation. Perhaps it would soothe those disappointed Wonderland fans or anyone who just misses Jefferson.

6. The Shadow of the Bear - Regina Doman. If you don't mind a delicately handled adaptation from a Catholic author, or if you would like a story that takes its characters' faith seriously without being preachy, this is a good choice for Snow fans. The first book is based on the fairy tale of Snow White and Rose Red, but is mainly centered on the Snow character, with the sequel a solid Snow White adaptation in its own right.

7. Cruel Beauty - Rosamunde Hodge. A weird little number, biting, dark, and a bit twisted, but if you happen to like those traits in your Beauty and the Beast retellings, this is something you might really enjoy. I have to say this is certainly the only B&B retelling I've read that gives the "beast" a personality anything close to that of Once's Rumpelstiltskin. Beauty, however, is closer to Lacey than Belle, so be warned (or be delighted, depending on your preference).


Recommended Movies and TV for Oncers:

1. SyFy Alice (miniseries). For Jefferson fans for sure, this adaptation takes an adult Alice through a really unique and modern twist on Wonderland. One of the biggest draws for this series is that this version of Alice is basically the brunette clone of Emma Swan, complete with judo skills and a fear of commitment, not to mention parental abandonment issues and love triangles. And Hatter is a fantastic foil for her.

2. Robin Hood (BBC TV). I've never watched it, but I know the first season I supposedly very good. A sort of Robin Hood reimagining that is vaguely reminiscent of the treatment A Knight's Tale gave Chaucer. Warning: Character death.

3. Peter Pan (2003). Yes, it's a kids movie in some respects, but it's also the best and most loyal (in spirit) adaptation of the story I've ever seen. Jason Isaac's Hook is incredible and sexy too.

4. Neverland (TV series). Though it wasn't around for long, this series proved an innovative reimagining of the story with a wonderfully twisted relationship between Peter and Hook. If you are at all a fan of Once's young Balefire and Hook, you will probably enjoy this quite a bit. The story focuses equally on protagonist and eventual antagonist. They both start out in Victorian London as friends and business associates (think Dickens' Fagin and the Artful Dodger). Their relationship becomes complicated when a freak magical accident places ishthem in an alternate world. Lady pirate captains, realistic Native Americans, and sexy Rhys Ifans (Hook) make this a fun series.

5. Cinderella 2000 - a weird British miniseries/short film version of the story that isn't really set in any time or place. It's probably a love/hate pick, but if you don't mind the sometimes terrible graphics (hey, if you watch Once, it's no biggie, right?) and the often weird choices, this could be a lot of fun. It is certainly different.

6. The Tenth Kingdom (miniseries) - a fun and light-hearted adventure with a jaded heroine a la Emma Swan. Lots of different fairy tales included, but the Big Bad Wolf gets the most screen time. Don't worry; you'll want him to.

7. Snow White and the Huntsman/Mirror Mirror - two very different Snow White interpretations, both with strengths and weaknesses. The first is dark but confusingly plotted; the second is fun but ridiculous.

8. Fairy Tales (2008) - miniseries of four tales adapted to modern settings.  Some of these interpretations are dark, some funny, all romantic. Each episode feels like  a short film, and I have to say that the Rapunzel adaptation was quite funny.

9. Arabian Nights (miniseries) - Though Once really only started exploring this territory with Once in Wonderland, any Oncer will probably enjoy this creative retelling of A Thousand and One Nights. Many tales are creatively woven into the romantic story of the two leads. Some great actor cameos too.

10. Penny Dreadful (current tv series) for those whose favorite episodes involved Dr. Whale, this series is highly recommended (definitely for adults) and centers on Victorian vampires, mystics, and Dr. Frankenstein.

Can you recommend any other adaptations that would be appealing to Oncers? Let me know.

Monday, May 19, 2014

Rumbelle: The Wedding...or Funeral...of the Season

So, since we've hit the end of Season 3, and what is probably the half-way (or two-thirds-way) point of the show itself, it's a good time to take a look at the progression of Beauty and the Beast on Once Upon a Time.

Whew.....Where to start?

If you haven't seen the last episode of the third season and don't want to read spoilers, don't read the rest of this post (and stay off of the internet). If you want to ponder the strange events of the last episode as they concern Rumbelle, or if you thought everything was and is perfect, keep reading and tell me what you think at the end.